LIGHTING

Please see some featured lighting below…

Ideal for mobile applications – Lightweight and compact size makes it easy to use on-the-go.

ARRI SkyPanel S60-C is a mid-range light featuring a 645 x 300 mm aperture, perfect for your lighting needs. Powerful and versatile, it can be used to create soft, even illumination that is suited to the most demanding requirements of any stage or film crew.

The  S120-C is an impressive soft light fixture, whether for horizontal or vertical use. Twice the length as the S60-C with a larger light aperture for superior lighting. Consumes less than 400 watts and provides a high efficiency of 90 lumens/watt.

The SkyPanel S360-C is the largest and most luminous LED light fixture created by ARRI. It features full colour control, lighting effects on a huge aperture, wireless DMX built in, and a unique carbon fiber yoke.

The ARRI Orbiter is a versatile, tuneable, and directional LED fixture including a six-color light engine. With its changeable optics, Orbiter can transform into many different types of lamphead, including Open Face, Fresnel, Projection, Soft Light, and many more.

The Vortex4 is a 1×1 RGBW All-In-One system with PSU and antennas integrated, reading 7300lux @3m on the meter. This fixture has a CCT range from 2200K to 15000K. Vortex can be used as a hard light or soft light with the Creamsource Diffuser or Dome.

Effects and colour gels and our latest technology ‘FrameSync’ are built into the latest CreamOS architecture. Like it’s big brother, Vortex4 has no problem with weather, messy effects machines or extreme dust. The Vortex4 is IP65 water resistant and sealed for the ultimate security and efficiency.

The Vortex8 is a versatile 2×1 RGBW system with CCT ranging from 2200K to 15000K that can be used as a hard punch light to bounce or push through diffusion, or as a creamy soft light with the Creamsource Dome or DoPchoice Snapbag. Effects and colour Gels are built into the latest CreamOS architecture in addition to a range of new features wrapped into an intuitive user interface.

Unpredictable weather and messy effects machines are no longer a worry for the lighting department where the Vortex is in place. The Vortex8 is IP65 water resistant and sealed for the ultimate security and efficiency. Rain, snow and dust wont hold the Vortex back.

The Creamsource Micro Colour features calibrated red, green, blue and white LEDs (RGBW) – so as well as producing beautiful white light in any CCT from 2,200K to 15,000K, it also has green/magenta adjustment and can produce vivid, saturated colours.

The Micro Colour has a 20 degree beam angle for maximum punch, fan-free cooling for silent operation, and is water resistant so it can be used in all weather (IP65 rated). It is lightweight yet rugged, quick to rig and its compact form factor means it can squeeze into small spaces on set.

The BI-FABRIC 2 is a flexible BI-Color LED panel for professional use in television, movie and photographic production with an outstanding light quality and a CRI and TLCI over 97. The BI-FABRIC 2 is the cinematographer’s choice for a small, lightweight and powerful lighting tool for many applications like: portable interview light or to hide in narrow spaces like elevators, cars or even inside objects for product photography.

The new BI-FABRIC4 is an exceptionally well-built, bi-color LED light with superior light output and quality. The color output
is adjustable from tungsten to daylight and every point in between, and is completely dimmable from 100% to
1%. Most importantly, the light quality is the best available.

Mounting options for the FABRIC-LITE are virtually limitless, including all types of butterfly, overhead, wall and ceiling mounts, thanks to the integrated Velcro and grommets. The 3‘x3‘ pan can be easily mounted on a Matthews frame or similar. Each 3×3-foot fabric panel can be used separately, or combined with others to create panels as large as 12×12 feet.The fixture offers high control over lighting. It is dimmable from1-100% and the colour temperature can be adjusted from 3000°K to 6000°K. The Dimmer runs from main power supply or battery, and has a built-in lumen radio module for DMX control.

Aladdin is always an quantum leap ahead in technology. We are bringing a brand-new flexible LED Lite on the market and we call it the BI-FLEX M7. The Micro LED Technology enables us to build a 1×1 panel with 70w instead of 50w.

Aladdin AMS-BIFLEX1FBK (AMSBIFLEX1FBK) Fly Ball Kit aladdin-ams-biflex1fbk-fly-ball-kit / AMS-BIFLEX1FBK. This Aladdin Fly Ball kit is ideal for walking light.  You can strap the dimmer and battery to your belt, giving you complete freedom to walk about.
Super light weight, takes no effort to hold this light. Super bright and with Aladdin’s fantastic light quality you get great skin tones.

Aladdin AMS-08T/D+DF (AMS08TD+DF) A Lite LED Dimmable On-Camera Light with Diffuser, USB Lead and Removable Battery aladdin_note_lite / AMS-08T/D. The A lite is an extra accurate super high CRI LED light source (97ra at 3200K and 95ra at 5600K) giving a realistic and consistent spectrum. It is also powerful, giving an output between 600 and 650 lumens depending on colour temperature set. Usability is also a strong point, it having dimming between 5% and 100% – all in a compact unit size that weighs only 205g. Now featuring a removable Lithium-Ion battery that provides up to 70 minutes of use at full power.

Aladdin AMS-02T/D (AMS02TD) EyeLite LED Bi-Colour Battery or Mains Powered Light Panel aladdin_ams-02t-d_eye-lite_bi / AMS-02T/D. There are three different versions of Eye Lite available: Daylight, Tungsten or Bi-Colour. The Eye-Lite (Bi-Colour) is the newest to the Aladdin family and has two integrated dimmers: one that adjusts colour temperature between Tungsten (3000˚K) and Daylight (6000˚K) and one that controls light output – from 5-100%. The unit has an integrated lithium-ion battery that provides a run-time of over two hours.

The LiteMat is one of the most affordable, professional cinema lighting fixtures available today. Available in LiteMat 1, V2 & Spectrum is based on one “tiled” light engine which are protected by a thin, clear polycarbonate layer. The LiteMat utilizes Velcro® “loop” fasteners to attach numerous accessories. Its lightweight (2.5 lb) and thin profile (0.9 in.) make this fixture ideal for any lighting challenge you encounter.

The LiteMat is one of the most affordable, professional cinema lighting fixtures available today. The LiteMat 2, V1, V2 & Plus is based on two “tiled” light engines which are protected by a thin, clear polycarbonate layer. The LiteMat utilizes Velcro® “loop” fasteners to attach numerous accessories. Its lightweight (3.8 lb) and thin profile (0.9 in.) make this fixture ideal for any lighting challenge you encounter.

The LiteMat is one of the most affordable, professional cinema lighting fixtures available today. The LiteMat 2, V1, V2 & Plus is based on two “tiled” light engines which are protected by a thin, clear polycarbonate layer. The LiteMat utilizes Velcro® “loop” fasteners to attach numerous accessories. Its lightweight (3.8 lb) and thin profile (0.9 in.) make this fixture ideal for any lighting challenge you encounter.

The LiteMat is one of the most affordable, professional cinema lighting fixtures available today. The LiteMat 3, V1, V2 & Plus is based on three “tiled” light engines which are protected by a thin, clear polycarbonate layer. The LiteMat utilizes Velcro® “loop” fasteners to attach numerous accessories. Its lightweight (4.8 lb) and thin profile (0.9 in.) make this fixture ideal for any lighting challenge you encounter.

The LiteMat Plus 4 is based on four “tiled” light engines which are protected by a thin, clear polycarbonate layer. V1, V2 & Plus, The LiteMat utilizes Velcro® “loop” fasteners to attach numerous accessories. Its lightweight (6.2 lb) and thin profile (0.9 in.) make this fixture ideal for any lighting challenge you encounter.

LiteTile Plus is the first foldable LED lighting fixture made completely with engineered textiles. LiteTile Plus 4 allows the user to install thin, soft, and adjustable Kelvin light into areas previously inaccessible. Because LiteTile+ Plus folds up to 180º between each light engine, the luminaire can be shaped into numerous configurations allowing for 360º, two-sided, or irregularly shaped setups. LiteTile Plus 4 can be directly attached to walls or ceiling surfaces such as office drop-ceilings with just spring-clips or tape. The LiteTile Plus 4 really shows its versatility when two units are coupled together and attached to a overhead/buttery 4’ x 4’ frame. That is 400 watts and more than 4600 cinema quality emitters creating ultra-soft Hybrid light output without the need for additional diffusion.

LiteTile Plus Kit, 2×8 is the first foldable LED lighting fixture made completely with engineered textiles. LiteTile+ Plus 8 allows the user to install thin, soft, and adjustable Kelvin light into areas previously inaccessible. Because LiteTile+ Plus folds up to 180º between each light engine, the luminaire can be shaped into numerous configurations allowing for 360º, two-sided, or irregularly shaped setups. LiteTile+ Plus 8 can be directly attached to walls or ceiling surfaces such as office drop-ceilings with just spring-clips or tape. The LiteTile+ Plus 8really shows its versatility when four units are coupled together and attached to an overhead/butterfly 8’ x 8’ frame. That is 1600 watts and more than 18400 cinema quality emitters creating ultra-soft Hybrid light output without the need for additional diffusion.

By utilising the latest in Aputure COB LED technology, the 300d Mark II outputs a whopping 20% more light than its predecessor. When combined with the Fresnel 2X, the 300d Mark II can produce up to 80,000 lux @ 1m, approaching the luminance of a 575W HMI.

Its immensely bright 600W COB LED output positions the 600d Pro as one of the brightest point source LEDs on the market. With only a 720W Max Power Draw, this light is able to approach the brightness of 1200W HMIs at only a fraction of their total energy consumption, allowing you to power more than one from a single household circuit.
In addition, the 600D Pro takes advantage of the lower power consumption requirements of LEDs, allowing it to draw power from both V-Lock batteries. Its multi-voltage battery plates make it compatible with 14.4V, 26V, and 28.8V batteries, for a wide variety of power options.

Available products: 600D (Daylight), X (Bi-Colour) & C (RGB Colour)

The Light Storm 1200d Pro is the flagship Light Storm product and the brightest fixture in the Aputure Light Storm lineup. It utilizes a 1200W Daylight COB chipset to compete on the same level as industry-standard HMI Lights, with a staggering 83,100+ lux output at 3 meters with the Hyper Reflector (Narrow).

The B7c 8-Light Kit comes with 8 Accent B7c RGBWW LED Bulbs with a Hard Shell Charging Case which stores & charges up to 8 B7c Bulbs.
The Accent B7c is a battery-operated 7W RGBWW colour-mixing LED light bulb, and the first product in Aputure’s Accent family of “practical” LED lights built for filmmakers, with a unique combination of features no other light has. The B7c features a standard E26/27 lamp socket screw connector making it compatible with a wide variety of lamps anywhere in the world. Its light bulb form factor allows users to more naturally integrate programmable, colour-mixing, practical lighting into any scene.
The Accent B7c matches the colour temperature range of the Nova P300c, Aputure’s most advanced colour mixing light, producing a wide colour temperature range of 2,000K-10,000K.

We stock various domes, fresnels, lanterns, spotmounts and lightboxes for various lamps – contact us for specifics

Kit of 8 Helios Tubes with all essential accessories stored in a durable protective plastic case with wheels and handles. With the included PowerBox you can charge your lights in the case to get them ready for their next job. For longer installations, the PowerBox can be taken out of the case to supply power and data via the optionally available Titan Power/Data Combination cables.
Helios Tube is an RGB – Amber – Mint LED lighting Tube that has all the features of the popular Titan Tube while offering a smaller format. It allows mounting in areas where a Titan Tube wouldn’t fit and also increases portability. This LED lighting Tube has 8 pixels, half the brightness of the Titan tube and just over half its length.

Astera 8x AX1 LED Tubes with Charging Case. The AX1 is a powerful pixel controllable LED RGBW baton that can be mounted at event and film sites to light up people and objects or create indirect lighting effects. A highly creative device that offers an infinite range of possibilities.

Kit of 4 Hyperion Tubes with all essential accessories stored in a durable protective plastic case. With the included AC distribution cable, 4 power supplies can be connected to charge the tubes inside their case.

Set of 8 NYX Bulbs with all essential accessories stored in a durable protective plastic case. Included is a PowerStation with 48V PSU to power and program one NYX Bulb at a time. Also included are USB cables and CupBouncers.

Beam shaping with six included light modifiers and a large range of mounting options make HydraPanel more flexible than any other product in its class. The full-spectrum Titan LED Engine generates an impressive 1300 Lumen output while running on battery power.

Optimized for a fast return of investment, this stage lighting fixture replaces your wireless and wired PARs as well as battery uplight. It’s the ultimate tool for entertainment professionals.

Kit of 8 PixelBricks with essential accessories stored in a durable protective plastic case with wheels and retractable handle. With the included PowerBox you can charge your lights in the case to get them ready for their next job. For longer installations, the PowerBox can be taken out of the case to supply power and data via the optionally available Power/Data Combination cables.

AsteraBox is an interface between lights and controller. It can be used as a wireless DMX transceiver with CRMX technology and also works as Bluetooth Bridge between AsteraApp and lights. Its built-in battery enables an easy and time-saving setup, just like with all of Astera’s products.

We stock a huge range of LED/lighting Accessories from DOP Choice, Honeycrates, Chimera, Dedolite, Arri – contact us for details

The Dedo 400w uses an Academy Award winning optical system to provide directional light. Perfect as background lighting or for locating parts of the set, the Dedolight provides a level similar to that of a Par 575w HMI.

The M8 is the latest and smallest lighting fixture in ARRI’s highly successful M-Series of HMI lampheads. Like the rest of the M-Series, the M8 is equipped with MAX Technology, a unique, patented reflector design that unifies the advantages of a Fresnel and a PAR fixture.
The combination of an open face design and the unrivalled efficiency of the MAX Technology reflector makes the M8 exceptionally bright; the light output from the 800 W lamp comes close to the output from a 1,200 W Fresnel or PAR (with lens). The unit can be focused between 15° and 60° just by turning the focus knob, producing a remarkably even light field and a crisp, clear shadow. By eliminating the need for bulky, easily breakable spread lenses, the M8 will speed up workflows on set.

The M18 is an 1,800 W open face lamphead, combining the Academy Scientific and Engineering Award-winning lens-less optical technology of the ARRIMAX with the innovative True Blue design. The result is an extremely powerful lamphead, as small as a 1,200W PAR but with a 70 % higher light output. The M-Series M18 fixture is adjustable from 20° to 60° without requiring spreader lenses.

A member of the ARRI M-Series, the M40 is a lens-less system that unifies the advantages of Fresnel and PAR fixtures. The unit is open face and thus very bright: around 30 % brighter than an AS40 in spot. Due to its unique, patented MAX Technology reflector, it is also focussable over a range of 18 to 52° Half Peak Angle. The M40 gives a remarkably even beam spread that casts crisp shadows over the whole focus range. The reflector characteristics is optimised for 4,000 W lamps, but can also be used with 2,500 W lamps.  The lamphead is equipped with a CCL module (Compensation of Cable Losses). When operated with the ARRI EB 2.5/4 kW High Speed AutoScan with CCL, full power is maintained all the way to the lamp even when very long cables are used. This means uniformly high light output indepent from cable length.

The M90 closes the gap between M40 and ARRIMAX 18/12, which sits almost exactly in the middle between the two. The unit is focusable from 15° up to 49° just by turning the focus knob, producing a remarkably even light field and a crisp, clear shadow.
The elimination of spread lenses speeds up the workflow on set. The 9,000 W lamp is very similar in size to the 6,000 W lamp, which makes the MAX Technology reflector function perfectly at both wattages. The superior housing and cooling concept have made a very compact design close to the dimensions of the ARRISUN 60.

The original Academy Award-winning ARRIMAX remains the ultimate choice for productions requiring maximum light output. The 580 mm (22.8”) diameter, parabolic facetted reflector provides continuous focus adjustment from 15° to 50° beam angle and, since the ARRIMAX does not require a set of spread lenses, shadows are sharp and easily cut.

Safe and easy for both lamp type bases 18/12 kW, 18,000 W single ended lamps use a sturdier GX51 lamp base for which ARRI engineers have designed a special lampholder that alleviates mechanical stress from the lamp pins, now serving only as an electrical connection. The lamp clamping mechanism is self-aligning and uses a rugged, recessed lamp lock handle. To ensure that crews can easily use 12,000 W lamps or versions of 18,000 W single ended lamps with G38 bases, the new lampholder accepts either lamp type with no modification or adjustment.

The 2.5/4K DayLite Par is the latest addition to the Mole-Richardson family of lighting products. This fixture features solid, rugged construction that is both lightweight and compact, designed to address the needs of both the user and service technician. It has an easy globe installation and removal, visual and tactile feedback for lamp position, adjustable yoke pivot point, easy access for maintenance and replacement of the ignitor and safety switch, and a new reflector design that provides a very powerful output with either lamp.

As with most Par fixtures, the light output of this fixture may also be adjusted by using different lenses placed in front. For example, when fitted with a 2,000 HMI bulb and a medium lens, it will emit a beam of light  385 footcandles, 25.8 ft in diameter, from a distance of 50 ft. Without a lens, it can blast a subject with 3816 footcandles 4.26 ft in diameter from the same distance.

When fitted with a 4000 watt HMI bulb and medium lens, this fixture will emit 525 footcandles, 21.6 ft in diameter from 50 ft. Without a lens, 3906 footcandles, 5 ft wide, from 50 ft.

ARRI STUDIO Fresnels are an ideal choice for film studios where high performance and high wattage tungsten lampheads are required. The large lenses give great efficiency and an extremely wide beam spread. ARRI’s elegant modular construction, using corrosion-free aluminium extrusions and lightweight die castings, offers great structural strength.

Dedolight Panaura® (Octodome) soft boxes feature huge diffuser areas producing a beautiful, wrap around, soft light. Compatible with either 1000w Tungsten or 400w HMI Dedolite. they are are extremely flat, making them ideal for work in confined spaces. The light output has to be seen to be believed and the light quality is absolutely stunning! 

The MagicQ MQ80 is an extremely powerful console in a small size, supporting 48 universes direct from the console and 4 DMX ports supporting RDM, but still fits with in checked luggage restrictions.

It has a large 12” high resolution display provides easy access to all MagicQ features including the Plot window where fixtures can be selected and focused graphically.

We have a broad range of Lighting Dimmers and other Special Effects applications – contact us for further details

Control 1, Bi-Band WiFi-DMX and Connect+ Basic Systems all available.

We stock a comprehensive range of Manfrotto (and Doughty) stands, clamps and accessories – call for details

We stock a comprehensive range of Matthew stands, clamps and accessories – and if we haven’t got it, we can get it – call for details

PROVISION LEEDS

27 Burley Road
Kirkstall
Leeds
LS3 1JT
T: 0113 222 8222
E: Danny.Howarth@itv.com

PROVISION MANCHESTER

Space Studios
Vaughan Street, West Gorton
Manchester
M12 5FQ
T: 0161 952 1999
E: Stuart.Grant@itv.com

PROVISION LONDON

ITV White City
White City Place
201 Wood Lane
W12 7TQ
T: 0207 157 3330
E: Joseph.Cook@itv.com