Full Frame Cooke Spherical – Optimised for film and digital cameras reducing lateral colour aberration and providing an organic bokeh, S7/i FF prime lenses are designed to provide maximum performance at full aperture with superior control of flare, distortion and spherical aberration
Vega lenses were developed with filmmakers in mind in response to the market’s growing demand for lenses capable of covering the larger full frame digital camera format. TLS’s latest development, Vega, is a new series of Full Frame cine prime lenses. Vega exists in a set of ten lenses, including 20mm, 24mm, 35mm, 50mm, 58mm, 85mm, 105mm and 135mm focal lengths, ranging from T1.5 to T2.
The Vega lenses, although sharp, have a beautiful smooth look with a tiny amount of fall off towards the corners. They also have a stunning bokeh as a result of their 16 blade circular iris and when wide open, can offer a very narrow depth of field.
These lenses are designed with floating elements so TLS have used their dual cam system to allow the optimum optical performance while still allowing some character. The housing is the same process as their renowned rehousing process. Therefore, there is 300 degrees focus rotation and solid stainless steel stops on both focus and iris movement. These lenses have accurate and repeatable dual focus scales, available in both imperial and metric.
The PL mount is shimmable and the focus and iris gears are in the same position in relation to the PL mount throughout the range. This makes changing focal lengths on set a much smoother process.
The Anamorphic/i Super35 harness all the anamorphic lens characteristics demanded by filmmakers today and historically for film and digital image capture. They encompass the Cooke Look with distinctive oval bokeh and greatly minimised variation in astigmatism, through focus and reduced lateral colour to maximise image quality with digital cameras
The lightest and most compact anamorphic zoom in the market: 2.2 kg / 210 mm long. Perfect homogeneity of colour, contrast, resolution & low distortion typical of the Optimo series. T4, 2:1 Squeeze. CF 25in.
The Master Prime lenses have been jointly developed by ARRI and ZEISS. They are both fast and have an optical performance surpassing that of all standard speed primes. Master Prime lenses open up new creative opportunities of film making.
A bonafide classic! Cooke S4/i optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture, with the cam-type focus mechanism allowing for smooth focus adjustments.
Ultra Prime Lenses retain their excellent image quality even at close focus across the whole Super 35 frame. They are lightweight standard speed lenses that are a perfect optical match to the higher speed Master Prime Lenses
Fast 1990’s movie glass – Zeiss Super Speeds are high-quality, T1.3 PL-mounted lenses perfect for all 35mm film and digital cinematography cameras. Featuring a very compact mechanical and optical design, their compact size and light weight mean they are well-suited for handheld & gimbal filming
XEEN aims to deliver superior optics, for maximum user satisfaction. With bright aperture and outstanding optical performance for 4K+, focus are free to concentrate on the only thing that matters- realising their creative power. A masterpiece of both form and function, made to meet the needs of professional video-cinema producers and creators, XEEN blazes a new trail in the professional lens market. Expand your horizons with XEEN.
This large-aperture ultra-wide-angle prime lens offers G Master quality in an innovative design that is incredibly compact. Industry leading technology achieves breathtaking resolution plus exquisite bokeh even at maximum F1.8 aperture.
Sony’s latest optical technology achieves impressive corner-to-corner resolution from maximum F1.8 aperture in a large-aperture wide-angle prime lens. It is also remarkably compact, and matched with an E-mount body makes up a versatile, mobile system with outstanding AF performance, control, and reliability for a wide variety of shooting needs.
Sony’s latest lens technology delivers extraordinary resolution and bokeh in a compact, lightweight lens. Extraordinary AF, smooth operability, and rugged reliability add the finishing touches to this innovative large-aperture standard prime lens.
Advanced optics achieve consistently high corner-to-corner resolution throughout the zoom range. Four aspherical elements effectively reduce aberration, while ED (Extra-low Dispersion) glass elements minimise chromatic aberration.
The first super-telephoto zoom in Sony’s flagship G Master series covers a versatile 100-400mm range.With extraordinary resolution and fast, precise autofocus it lets you capture distant action with outstanding quality and immediacy.
Thanks to an innovative modular design (Interchangeable Rear Optics IRO technology™) the rear lens group can be exchanged between S35mm (up to 30mm image diagonal), and FF format (up to 46mm image diagonal)
Angenieux Type EZ-2: 15-40mm for S35 T2 or 22-60mm T3 at FF