Revolutionary three mode transmission: conventional, crab and round steering transmission allows perfect steering geometry when configuring the chassis to its various leg positions. Larger hydraulic capacity that requires less recharging – 5 Lifts on one charge
Packing down neatly into one case the Jackal is very quick and easy to use and get set up – designed to be completely tool-less and modular. Capable of both slow moving shots using the third wheel, but also faster moving shots in two-wheel mode.
Available with pneumatic/balloon wheels on request.
The Husky Dolly has a the foldable platform which halves dolly size. Designed as a doorway dolly, it is fairly light and easy to transport with a weight of only 27 kg. At the same time, it’s a stable platform allowing up to 250 kg of payload. Includes track and pneumatic wheels, and features a telescopic steering rod to adjust it exactly to the dolly grip.
The Round-D-Round Doorway Dolly from Matthews is the next generation in Doorway Dolly development. Based on the industry proven designed and engineered Matthews Doorway Dolly, the Round-d-Round model offers all-wheel steering which allows for greater turning flexibility and will turn in a tight 6 foot (2 meter) circle.
The Wally Dolly and Track System is the most versatile and affordable camera dolly available. It allows the camera operator to have complete control of each dolly move as no other operator is required. It comes complete with a 3 metre track system. Track pads are included with all kits to absorb any track noise and keep the track clean from dirty surfaces. The lightweight and compact design of the Wally Dolly and track system make it portable and minimal setup time is required. It is ideal for corporate, ENG or documentary shoots and travels safely in its own soft durable padded bag.
The portable Microdolly Camera Dolly and Track System is purpose built for crews that must travel light and set up quick. It weighs only 4.5 kg and fits into a Soft Case only 86 cm long. The Track is spring loaded and snaps together as it is unfolded. The Dolly includes 3m of straight track and can be set up in less than two minutes. It will carry a video camera or film camera weighing up to 45 kg.
The Ronford Baker Rolling Spider will carry almost unlimited weight and any make of tripod, and remain absolutely rigid in operation. It folds flat and locks for carrying and there is a central (Euro Boss) mounting position. The Universal Rolling Spider supplied with castor wheels for use on level/studio floors and alternate skateboard wheels for use on track. This unit is supplied in a Peli Case 1600 including both sets of wheels and a Trailing Arm for curves.
The flagship of OConnor’s Ultimate range of fluid heads. Includes OConnor’s patented sinusoidal counterbalance system for true, accurate balance at any point in the tilt range. Add to this OConnor’s stepless, ultra-smooth pan & tilt fluid drag, and you’ve got ultimate control and stability for film style shooting.
The OConnor Ultimate 2575C is the pinnacle of true fluid head design. With a payload capacity of up to 60 kg it is just the right choice for large studio camera payloads requiring precision handling. The 2575C features continuously variable dual-axis sinusoidal counterbalance for finger-tip camera control throughout the 180° tilt range, and continuously variable fluid drag to suit any shooting style. The top stage slides to accommodate uneven payloads due to heavy lenses or magazines, and has a 120mm euro quick-release for rapid setups and take-downs.
The 2575’s baby brother… the 2560. Perfectly suited to the adaptable, a la carte configurations of accessorised digital cinematography. Cameras such as the Alexa in portable configuration or any lightweight digital cinema camera (from Sony, Canon, ARRI, AJA, JVC, Panasonic, Vision Research, RED) in ‘maxed out’ studio configuration.
Capable of supporting cameras up to 30 Kgs @ 25 cm (10“) above the heads pivotal centre. Operated by a single control knob, from 0 – 100% counterbalance. Incorporating the well-proven Ronford-Baker fluid system, with 7 stages of fluid control on both pan & tilt.
The Ronford-Baker Fluid 7: two sealed fluid units allow control to be varied through seven stages, from a cushioned free movement to the heaviest control required, by the use of three simple on/off levers. Both pan and tilt actions are continuous through 360 º, depending on the length of the lens and camera. The platform is adjustable for height to suit the centre of gravity of the camera in use. Third axis kit also available om request.
Grip Factory GF-Jib Arm was designed to function as a stable, solid jib specifically for heavier camera packages up to 60 kg. It comes packed onto one trolley with weights and accessories. Its manual length adjustment allows it to be quickly set at the required length. The counterweight arm of the GF-JIB is telescopic and can be easily adjusted to the required length with just a few turns of the crank to ensure perfect balance at any angle.