CAMERA

Please see some featured cameras below…

arri-alexa-35
arri-alexa-35

ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensorfor 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, film-like highlight handling, better low light performance, and richer colours.
The new REVEAL Colour Science takes full advantage of the sensor’s image quality and provides a fast, simple workflow, while ARRI Textures enhance in-camera creative control. Easy operation, robust build quality, new electronic accessories, and a complete new mechanical support system round out the ALEXA 35 platform.

For complete ARRI Configuration Overview please click here.
Optimised for large-format lenses, the LPL lens mount fitted to ALEXA LF and ALEXA Mini LF cameras accepts ARRI Signature Primes, ARRI Rental DNA LF and 65 format optics, and third-party LPL lenses. The PL-to-LPL adapter (sold separately), which attaches securely to the LPL lens mount without tools, offers backwards compatibility with all PL mount lenses, be they Super 35 or full frame. LDS-2 or /i lens metadata is accessible via the LPL mount, and LDS-1 or /i via the PL-to-LPL adapter.

(On Request) ARRI’s ALEXA Mini Body with 4:3 and ARRIRAW comes with preinstalled licenses for full 4:3, MXF/ARRIRAW and Open Gate functionality.

Equipped with a 4:3 sensor, automatic de-squeeze mode for anamorphic productions and frame rates of 0.75-200 fps, the ALEXA Mini records ProRes or uncompressed ARRIRAW either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder that can record image streams from up to four ALEXA Minis simultaneously — a compelling option for multi-camera setups such as 360° plate shots. Images from the ALEXA Mini will perfectly match those from all other ALEXA cameras, making the final grade easier and quicker.  Integrated functionality is at the heart of the ALEXA Mini’s efficient and self-contained design. A built-in lens motor controller allows new active lens motors to be connected directly to the titanium PL mount, while ARRI Lens Data System (LDS) technology provides frame-accurate metadata that can save time and money both on-set and in post.

AMIRA is a truly versatile camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design, optimised for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion.

VENICE is equipped with a 36x24mm full-frame image sensor, designed specifically for high end cinematography, and can capture images up to a maximum resolution of 6048 x 4032. By switching imager modes, VENICE can natively support Super35 24.3 x 18.0mm, 4096 x 3024 resolution (equivalent to 4-perforation motion picture film) and Super35 24.3 x 12.8mm, 4096 x 2160 resolution (equivalent to 3-perforation motion picture film). In other words, VENICE’s new full-frame sensor can capture in almost any format, including full 18mm-height Super35 Anamorphic and spherical and full-frame 24mm-height Anamorphic and spherical. Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame or Super35.

RIALTO extension also available – enables cabled separation of the VENICE camera body and image sensor block by up to 5.5m with no degradation in image quality.

Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette.

Cinema Line full-frame camera with Fast Hybrid & Real-time Eye AF, 4K (QFHD) high-frame-rate 120fps, 15+ stop dynamic range and S-Cinetone™ colour science.

Cinema Line full-frame ultra compact camera with Fast Hybrid & Real-time Eye AF, 4K (QFHD) high-frame-rate 120fps, 15+ stop dynamic range and S-Cinetone™ colour science.

4K Super 35mm Exmor CMOS sensor XDCAM camera with α Mount lens system, 4K/2K RAW and XAVC recording options
(Mk2 also available with with Variable ND Filter)

α7S II E-mount Camera with Full-Frame Sensor, 5-axis image stabilization and enhanced Fast Hybrid AF that delivers lightning-fast focusing, super-wide coverage and exceptionally effective tracking of fast-moving subjects.

5.9K Full Frame sensor packed into a newly developed compact and reliable Cinema EOS body, this camera provides new inspiration and great flexibility for all cinematographers. Boasting 15+ stops latitude with a wide colour space, it’s perfect for High Dynamic Range productions.

PROVISION LEEDS

27 Burley Road
Kirkstall
Leeds
LS3 1JT
T: 0113 222 8222
E: Danny.Howarth@itv.com

PROVISION MANCHESTER

Space Studios
Vaughan Street, West Gorton
Manchester
M12 5FQ
T: 0161 952 1999
E: Stuart.Grant@itv.com

PROVISION LONDON

ITV White City
White City Place
201 Wood Lane
W12 7TQ
T: 0207 157 3330
E: Joseph.Cook@itv.com