The VFM-056W is a 6”x 4”x 1” lightweight magnesium-alloy case houses a 5.6” 1280×800 LED backlit LCD display with a full complement of preferred features, including DSLR Scale, Focus Assist, Various Scan Models, Markers, Audio Level Metering with speaker, Time code Display – and in the WP model – HDMI loop out via HD-SDI(720p), Waveform/Vector Scope, Y Level Check, and Range Error Check.
The VFM-058W, the lightweight viewfinder monitor, offers an outstanding picture quality with 5.5” LCD, and Full HD resolution of 1920 x 1080. It supports multi-formats including 3G/HD/SD-SDI and HDMI that offers a wide application range for broadcast & movie shooting. The VFM-058W has various features such as Max Brightness function, Temperature Adaptive Color, HDMI-to-SDI conversion output, 1:1 pixel mode, Luma(Y’) Zone Check function, DSLR Scale, Waveform, Camera LUT, Arri Camera Metadata, Vectorscope, Range Error, Focus Assist, Markers, Audio Level Meter with speaker and TC display.
The LVM-070C – 7in Field monitor with robust housing and pro features. With a high resolution 1024 x 600 (16:9) LCD display, the LVM-070C accommodates multi-format analogue, 3G/HD/SD-SDI, and HDMI signal inputs. Features include Waveform/vectorscope, Focus Assist, Luma(Y’) Zone Check and audio level meter, Camera LUT.
The LVM-095W displays full HD resolution of 1920×1080. It also corresponds with a wide range of image sources (3G HD/SD-SDI, HDMI) and provides a wide viewing angle (176 degrees). For maximized efficiency and economic feasibility, LVM-095W is constructed from aluminum for an extra-light body weight and a holds a built-in V-Mount. Upgraded with new FHD panel with accurate colour reproduction capability that meets the HDTV standards.
The F-5A is a compact and light-weight field production monitor with Full HD resolution of 1920 x 1080 & max luminance of 500nit. Equipped with a new image processing engine, the F-5A reproduces even better sharpness & peaking boost capability for focus pullers. Also supports various video formats via 3G-SDI and HDMI 1.3 interface. And also support professional features such as Waveform/Vectorscope, Focus Assist, 3D LUT import, Camera Logs and HDR emulation.
The F-7A is a 7’’ 1920×1080 resolution field monitor that offers Max Brightness of 1800nits with enhanced sharpness and peaking boost function via the refined image processing engine. With the high quality picture and professional features, F-7A shows the best performance anywhere.
The LVM-171S – Top QC-Grade 17” model with a 16.5 inch IPS LCD panel with 1920×1080 native resolution, wide-gamut reproduction (up to DCI-P3), enhanced contrast ratio and wide viewing angle all unmatched by other LCD monitors. A completely redesigned video processing unit provides powerful dual-channel performance and artifact-free image reproduction. Support for various cinema camera log-to-linear LUTs, easy field upgradability and a full array of image processing features are standard.
The LVM-181S is a top grade 18.5” model with a 18.5 inch IPS LCD panel with 1920×1080 native resolution, high brightness 500 nit, enhanced contrast ratio & wide viewing angle all unmatched by other LCD monitors. A completely redesigned video processing unit provides powerful dual-channel performance and artifact-free image reproduction. Support for various cinema camera log-to-linear LUTs, easy field upgradability and a full array of image processing features are standard.
The 503 Ultrabright On-Camera Monitor features a daylight viewable screen, durable design, professional software toolset, and two user function buttons. It is constructed from a milled aluminum housing with optically bonded gorilla glass display, making this one of the most durable monitors in the field. With 2,200 nits of brightness this 5-in monitor has a resolution of 1800p and features HDR Preview with a 10-Bit ColorEngine. And despite being one of our brightest five-inch monitors available, the 503 maintains low power consumption. Load any 3D LUT via SD card using SmallHD’s ColorFlow 3D LUT engine.
It features both a 3G SDI and HDMI input AND output, and two locking 2-pin Connectors, one for power input and one for power distribution to an external device.
The 703 Ultrabright Monitor features a daylight viewable screen, durable design, professional software toolset, and two user function buttons. It is constructed from a milled aluminum housing with optically bonded gorilla glass display, making this one of the most durable monitors in the field. With 2,200 nits of brightness this 7-in monitor has a resolution of 1800p and features HDR Preview with a 10-Bit ColorEngine. Load any 3D LUT via SD card using SmallHD’s ColorFlow 3D LUT engine.
Features both a 3G SDI and HDMI input AND output, and two locking 2-pin Connectors, one for power input and one for power distribution to an external device.
Cine 24 brings 4K, daylight-viewable monitoring everywhere. 4K High-Bright Monitor offers 1350 nits of sustained brightness, enabling clear viewing in bright daylight environments, which eliminates the need for a sun hood or viewing tent. The 24-inch screen features a 3840×2160 resolution as well as 10-bit colour depth and 100% DCI-P3 colour gamut for colour-accurate images. Features 4x 12G SDI inputs and outputs as well as 1x HDMI 2.0 input. The Unibody Smart Chassis offers a Dovetail Mounting Rail for battery and accessory mounting, interchangeable mounting points, and 2x 2-pin 12v accessory power outputs.
The PVM-1741 “all- in- one” OLED picture monitor delivers outstanding full HD RGB 10-bit driver picture quality and professional features in a lightweight, compact design. Flexible mount options make the 17-inch monitor ideal for desktop editing, office viewing, studio monitor walls and OB vans. SDI and HDMI Inputs.
Features of the Sony PVM-A170 include a wide viewing angle, fast response time, support for most HD & 2K SDI signals, dual input display and waveform/vectorscope functions. On top of that it features two SDI inputs with a loop-through out that support 3G-SDI, HD-SDI, and SD-SDI signals at resolutions up to 1080p60.
The PVM-A250 25-inch, Full HD monitor is easy to carry, even by one person. The PVM-A250 incorporates the TRIMASTER ELTM OLED panel and offers the industry’s widest viewing angles of any professional flat-panel monitor on the market, making group monitoring easy. Equipped with built-in standard input interfaces: 3G/HD/SD-SDI (x2), HDMI (HDCP) input (x1) and composite (x1). Multiple computer signals can be received via an HDMI/DVI interface; the resolution range is from 640 x 480 to 1680 x 1050 pixels.
Metadata and timecode support, 3D LUTs, dual inputs/outputs, multicast capable (1 Transmitter can multicast up to 4 Receivers), manual frequency selection and USB 3.0 GRAB Engine are all included on these new models but with the following new features:
The Bolt 4K 1500 TX/RX Set is a real time wireless video transmission system that supports 1080p and 2160p video signal at 60FPS with less than 1ms of delay up to 1500 feet. Key features: Increased range, faster reconnection times, easier setup with Bluetooth App for iOS or Android, and more stable connectivity. These devices are cross-compatible with the entire Bolt 4K Family. Includes integrated 1/4″x20 and M3 mounting points.
Revolutionary three mode transmission: conventional, crab and round steering transmission allows perfect steering geometry when configuring the chassis to its various leg positions. Larger hydraulic capacity that requires less recharging – 5 Lifts on one charge
The WCU4 is a Lightweight, ergonomic hand unit offering focus, Zoom & Iris control. Rugged and splash-proof it has an easy to read Focus display, lens-mapping to pre-marked focus rings and focus tracking.
Hi-5 is the Fifth-generation intelligent hand unit from Arri. Compatible with ALEXA Mini LF, ALEXA LF, ALEXA Mini, ALEXA SXT W, ALEXA 65, cforce mini RF, UMC-4 and RIA-1/RF-EMIP.
Hi-5 is the most sophisticated hand unit on the market, providing reliable wireless control of cameras and lenses. Weatherproof and solidly built, it features an exceptional radio link range and unique, swappable radio modules for different territories & shooting challenges.
Measuring distance is easy with the Cinematography Electronics CINETAPE MEASURE System. This versatile ultrasonic system continuously calculates the distance between a subject and the camera’s film-plane. By continuously measuring distance during a shot, small or subtle subject movements are no longer a problem. With non-stop measurements, focusing a camera lens is simplified which saves time, avoids retakes and reduces production costs.
Designed by camera assistants to support the art of pulling focus, the Cine RT satisfies a broad range of working methods and has been widely recognized for its operational flexibility & exceptional performance for use on film and digital cameras. Constructed from pro-grade materials and containing electronics rated to work within an industrial operating temperature range, the components are purpose built to withstand a life on set – from your floor bag to the most challenging set location. The innovative distribution of ultrasonic transducers across the custom-built wireless component family enables an expansive toolset unique to the Cine RT. Custom-designed and third-party serial protocol outputs deliver fast distance data to lens control systems by ARRI, Preston, c motion, Teradek, and Heden.
Suited for a wide range of applications in just one product, the robust but lightweight LMB 4×5 allows for an unprecedented level of flexibility. From a single-filter configuration for gimbals, drones, or Steadicams to clamp-on versions up to rod-mounted solutions, the LMB 4×5 makes short work of challenging situations. The Swing Away/Tilt Module offers a comfortable swing-away function (with extension) for easier lens changes, as well as an integrated tilt module with 10° up and down adjustments for avoiding unwanted reflections. The LMB 4×5 also features versatile filter stage options, securing loops, and a tray catcher for maximum safety on set. The LMB 4×5 is compatible with 4×5.65 filter.
The Arri MB-18 is the industry standard 4×5.65in Production Matte Box covering lenses from 14mm to 180mm (@ S35mm). Mounts on 19mm bars, with a swing away mechanism to help speed up lens changes without altering setups. Features a switchable Filter Stage with option of 2 or 3 filters at a time.
The SMB-1 is a large studio matte box, accepts 4×5.65 or 6×6 Filters. It is designed for bigger wide-angle prime lenses, as well as zooms. The SMB-1 covers the full ALEXA sensor area and allows the Master Prime 12mm to be used with a 2-filter-stage, the Ultra Prime 10mm with a 1-filter stage, and the Ultra Wide Zoom UWZ 9.5-18 mm with a 1-filter stage.
The Master Wheels controller is an advanced professional wheel controller system that employs ultra-high-resolution optical encoders to detect subtle movements and transmit them to a connected gimbal system to deliver precise and butter-smooth remote camera movement control.
Ronin 2 exists to let filmmakers capture the scene they see in their mind. Upgraded high torque motors allow it to support a wider range of cameras, resist high winds and G-forces caused when mounted to a car and keep it moving smoothly in flight.
The Freefly MOVI Pro motorized gimbal stabiliser steadies cameras weighing up to 6.8kg, making it compatible with small mirrorless cameras all the way up to lighter cinema cameras such as the Arri Alexa Mini/LF/35. With the included batteries, the camera and essential accessories can be powered without adding any bulk to the MOVI Pro.